Everyone loves Eddie Murphy. His obnoxious shenanigans have delighted audiences since he first broke into it Saturday Night Live Dressed as Gumby in the early 1980s and went on to achieve Hollywood box office glory with a string of hits that made him the king of the decade.
tThere’s no denying that Murphy’s brand of comedy has struck a chord with moviegoers. Need proof? See the following list that ranks the best Eddie Murphy movies of the 1980s from worst to best.
7) Harlem Nights (1989)
Murphy ended his run in the 1980s in quite dramatic fashion, teaming up with Richard Pryor for the critically acclaimed Harlem nights. Directed by Murphy, the film did a decent amount at the box office but ultimately wasted its talented cast on a nonsensical crime drama that fails to hold one’s attention.
Harlem nights It marked the beginning of the end for Murphy as follow-up films BoomerangAnd Mr. EsquireAnd Beverly Hills Cop IIIAnd Vampire in Brooklyn He failed to capture his early charm.
Fortunately, the second coming was close – Murphy bounced back with blows like this Professor JosieAnd MulanAnd Dr. DoolittleAnd LifeAnd Bowfinger before lending his voice to the box office giant a partner. While he never achieved the astronomical success afforded him early in his career – to say the least The Adventures of Pluto Nashthe better—Murphy’s later entries were still strong enough to satisfy fans craving more of his creative genius.
6) The Golden Child (1986)
Murphy’s first foray into a family adventure is a fun romp filled with some really daring special effects – the Devil’s Piece always scared me – and some well-timed gags – “I just want some chips!”
However, choppy editing, a confusing plot, and half-hearted direction keep the picture from taking off. Murphy does his best to salvage the fiasco, but his talents often take a back seat to the big budget scene. Too bad because this could have been special.
5) Beverly Hills Cop II (1987)
Follow her Tony Scott Beverly Hills Cobb He doubles down on everything that worked in the original, with mixed results. Murphy is his usual charming persona, but lost in the shift is the playful tone in favor of more violence and a dumb plot that seems better suited to Bad boys By Axel Foley.
Still, the sequel looks great because of Scott’s visual flourishes and features enough laugh-out-loud moments to keep viewers invested. There’s nothing here you haven’t seen before: Axel rambles around Beverly Hills talking his way out of deadlocks on his way to solving a case, while Billy (Justice Reinhold) and Taggart (John Ashton) provide support on the periphery.
Somehow, the formula still works, though viewers expecting a production that lives up to its star’s talents may be disappointed.
4) Coming to America (1988)
There is much to appreciate in John Landis’ Coming to America, even if the picture often looks like a series of comic sketches strung together by the weakest of plots. We’re dealing with Eddie Murphy, a movie star now, not a young up-and-coming comedian from the age group. Coming to America He lets Murphy do his thing, and for the most part it works. The fun abounds thanks to a series of goofy characters (many played by Murphy and co-star Arsenio Hall) and some well-executed gags.
Prince Achim also stands as one of the most likable characters in Murphy’s work, his sparkling positivity joyfully contrasting with the pessimism of downtrodden New Yorkers—”Good morning, my neighbors,” he blows from his apartment. “Hey,” a bystander replies, “One only wishes Landis had snatched it up a bit and spent more time fleshing out the plot than catering to its star.”https://www.youtube.com/watch?v=Fupg2r1EJ9w
3) Trading Places (1983)
This rags-to-riches-to-rags comedy marries Murphy, Dan Aykroyd, and director John Landis, and the trio hilariously explores the idea of nature versus nurture. Except here, Murphy, a low-key with nothing to lose, switches places with arrogant investor Aykroyd by a vicious gamble between two older men and must endure (or enjoy) the other’s life for the sake of a spell.
The results are often surprisingly funny and profound. Here we have a smart comedy that takes care of its characters. Landis doesn’t go for the cheap laughs. Instead, he allows the humor to develop naturally without losing sight of his story.
Of course, it helps to have two of the best companies at your disposal. Murphy transforms in a measured performance that balances his trademark outspoken comedy with his regal charm. His quick-witted humor meshes perfectly with Aykroyd’s cheeky wit; The picture shifts into another gear when the pair finally team up for the third act.
Jamie Lee Curtis is also on hand as a prostitute with a heart of gold, while Denholm Elliott gets in on the fun as a world-weary butler who sympathizes with both men. Great fun!
2) Beverly Hills Cop (1984)
48 hours And commercial places It brought Murphy’s shenanigans to the big screen, but that was it Beverly Hills Cobb that made him a star. As Axel Foley, Murphy delivers the goods and gets plenty of laughs without detracting from the main narrative.
From the slick opening action sequence to Bronson Pinchot’s inspiring serge and Harold Faltermeyer’s awesome, it’s all about Beverly Hills Cobb Works.
Murphy does the heavy lifting. His comic timing and manic energy are almost magical; He alternates between a quick-talking intelligent man and a hard-talking police officer with witty precision. Most importantly, he plays Axel as a cop whose loyalty knows no bounds, a man willing to put everything on the line with his fellow officers, namely Gog Reinhold, John Ashton-Bailey, and Taggart.
Director Martin Brest and writer Daniel Petrie Jr. Let the viewer (and Murphy’s performance) breathe but you’re smart enough to know when the gag ends. This is how it is done guys.
There is a reason Beverly Hills Cobb It remains one of the biggest box office successes of all time – a truly hilarious, action-packed adventure that entertains today as much as it did when it first hit theaters in 1984.
searching for Too bad I blame Jonathan Banks as a rude follower.
1) 48 Hours (1982)
Murphy’s first foray into the big screen was an all-time run. 48 hours The soft-spoken comedian teams up with Olly Nick Nolte, resulting in a surprisingly gritty and dark buddy drama. Director Walter Hill pulls out all the stops and tends to the dirt and gravel of 1980s San Francisco. At the same time, his two leads display a natural chemistry that elevates their relationship far beyond the usual tropes of the odd couple.
Viewers expect hilarious fun in a context Beverly Hills Cobb Or any of Murphy’s later films might be shocked to see the icon deliver a relatively straightforward performance punctuated occasionally by comic outbursts – “There’s a new sheriff in town!” Reggie Hammond is more complex than many of Murphy’s characters, and we can only regret that the star didn’t receive more nuanced roles like this later in his career.
at what rate, 48 hours is a good movie, full of hardcore action, a twisted villain (played by James Remar), and an obscenity-filled script that makes one yearn for the days of uncensored cinema in the 1980s. This is as perfect a crime drama as one would ever see it.